![]() Beauty for beauty’s sake, a concept that too few films embrace. To some it’s an overlong sequence that could be completed in a fraction of the time, but the excellent special effects and grandness of Jerry Goldsmith’s musical score combine to make it an utterly memorizing scene. The sequence of Kirk and the ship’s engineer Scotty ( James Doohan) boarding the retrofitted Enterprise lasts six minutes, most of which consists of reaction shots of the two actors as they bask in the ship’s glory. While future films may have had larger stories when compared to the simplicity of this, none of them come close to the levels of splendor The Motion Picture imbues into every moment. The Motion Picture will not appeal to those who prefer films of a more reasonable length with an explosion or two thrown in for good measure, but for those looking for a more thoughtful and cerebral take on the science fiction genre, there is plenty to appreciate.įor one, nothing in the franchise’s sixty-year history captures the grandeur of space like this. But to do so would be doing a disservice to a film with more merit than its reputation suggests. The slow pacing has led to fans dubbing it The Slow Motion Picture, and it is generally accepted that newbies should skip this one in favor of its more accessible sequels. This also resulted in The Motion Picture feeling like a bizarre anomaly in its own franchise, with a tone in vast contrast to later entries. ![]() Roddenberry was forced out of creative control for the sequel, The Wrath of Khan, which placed a greater emphasis on action and received a much warmer response in turn, becoming the template future Star Trek films would follow. While the film was a modest success at the box office, the film received a mixed response from critics with criticism directed at its slow pacing and lack of action. And the result was not what Paramount had been hoping for. ![]()
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